PAST EVENTS
October 2008
Welwick & University of Hull
Hull Sinfonietta Young Artists Programme
Authentic Chinese music performed by Meng Wang, Hull Sinfonietta’s Young International Artist of the Year.
Meng Wang (guzheng)
October 2008
University of Hull
Hull Sinfonietta Young Artists Programme II
in association with Excellence Hub
STRINGS DAY: The Tchaikovsky Serenade
A day for year 7-13 string students (Grade 8 / very able Grade 7)
- Rehearse with professional players from Hull Sinfonietta, including Steve Wilkie (one of the UK’s leading violinists)
- Receive specialist tuition and guidance from leading professionals
- Includes a tour of the music department to help give students an insight into studying music at university
Students/schools should apply directly to the Excellence Hub CLICK HERE FOR MORE INFORMATION
FREE Information session for parents/carers
"Encouraging Young String Players – A Psychological Perspective" by Dr Elaine King
A talk directed at parents by Hull University’s specialist in the psychology of music performance.
FREE Concert
HY Rehearsal Orchestra. Lee Tsang (conductor)
Tchaikovsky - Serenade for Strings
An informal performance of music worked on throughout the day, featuring pupils and teachers from Yorkshire and Humber and led by members of Hull Sinfonietta.
June 2008
University of Hull
THE BEAR
An Extravaganza in One Act
Music by William Walton
Libretto by Anton Chekhov
Lyrics by Paul Dehn
Amy Black (mezzo-soprano) as Popova
Andrew Slater (baritone) as Smirnov
Richard Wiegold (bass) as Luka
with

Lee Tsang (conductor)
A comic tale of love and betrayal.
March 2008
Patrington & University of Hull
Lee Tsang (baritone)
Sarah Beth Briggs (piano)
Heath Quartet with Pietro Lusvardi (double
bass)
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Vaughan Williams
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Four Last Songs
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Britten
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Three Character Pieces
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Stravinsky
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Concertino for String Quartet
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Vaughan Williams
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Five Mystical Songs
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Settings of poetry by Ursula Vaughan Williams and George Herbert, with
texts drawing on Greek mythology and tales of Eastertide.

November 2007
Hull University
Orchestra, Lee Tsang (conductor)
in association with
Rachael Drury (violin)
Rod Skipp (cello)
Pete Smith (piano)
Mendelssohn Overture to A Midsummer Night’s Dream
Beethoven Triple Concerto, Op.56
In this collaborative event, a trio of Hull Sinfonietta soloists joins students
from Hull University in a performance of Beethoven’s most delicately scored
masterwork.
28 September 2007
Christina Waldock (cello), Mark Knoop (piano)
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Beethoven |
Sonata in G minor, Op. 5 No. 2 |
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Takemitsu |
Orion |
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Prokofiev |
Sonata in C, Op. 119 |
A varied programme by one of Hull Sinfonietta’s principal cellists.
June 2007
Vivaldi. The Four Seasons (Soloist: David Greed)
Copland. Appalachian Spring (original version)
J. Strauss II-Schoenberg. Kaiserwalzer
This ever-popular programme also featured the public premiere of Matthew Lee
Knowles' _Instances_', the winning entry of the Hull Sinfonietta Most
Promising Young Composer Award 2006.
'thoroughly enjoyable' 'a wonderfully diverse
programme' (Audience feedback)
Hull Sinfonietta Most Promising Young Composer Award 2006
As a result of the nationwide Hull Sinfonietta Composition
Competition and Workshop held at the University of Hull, the panel is pleased to
announce that 20-year old Matthew Lee Knowles from Scunthorpe has been granted
the Most Promising Young Composer Award 2006.
As well as receiving a cash prize, Matthew had his piece
'Instances'
for flute, harpsichord and three cellos performed by the Hull
Sinfonietta in a concert in June 2007.
Supported by
PRS Foundation for New Music, Hull City Arts,
Hull University.
March 2006: Hull Sinfonietta Composition Competition and Workshop
Four new works were selected by competition:
Lester Hough (North Ferriby) - Looking for
'N'
Matthew Lee Knowles (Scunthorpe) - Instances
Geoff Cummings-Knight (Doncaster) - La
Primavera
Edmunt Hunt (Matlock) - Airs and Dances.
During the workshop the works were rehearsed and recorded at
the Middleton Hall, Hull University.
Supported by
PRS Foundation for New Music, Hull City Arts,
Hull University
.
May 2007: Wilberforce celebration concert
'A wonderful concert … It was an experience I won't forget in a hurry. The
programme was beautifully balanced and so well performed'
Gertrud Aub-Buscher (Hull Chamber Music Club)
This major educational project saw the Hull Sinfonietta working closely with
Hull University Orchestra, Hull University Choir, local schools (in association
with Creative Partnerships) and refugees. The performance was a musical
‘finale’ to Hull University's WISE Conference on Slavery and Emancipation.
Elgar.
Introduction and Allegro
Tippett. A Child of Our Time
Borthwick. Equiano's Lament (new commission)
Traditional. King Mansa Musa
In addition to Elgar’s glorious ‘concerto grosso’ for strings and Tippett's
much-loved masterwork, the performance featured the premiere of Borthwick's
tribute to William Wilberforce (recorded live), and djembe and African harp
ensembles led by Seikou Susso (kora) in an African musical tale.
Soloists: Maureen Brathwaite (soprano), Margaret McDonald (mezzo-soprano),
Bernard Abervandana (tenor), Andrew Slater (bass-baritone) and Ross Tomlinson
(boy soprano).
June 2006
Dead - a play with live music. (first public UK performance).
Set in the Alps of 1913 and told in six scenes, Dead is a
poignant, ultimately spiritually uplifting tale of one couple’s struggle to deal
with the death of their son.
Text and music by Anton von Webern (translation by Anthony Meech).
In addition to the live performance in the Gulbenkian Centre, the production and
music was recorded onto DVD for limited library distribution:
Tsang, L & Meech, A. [filmed/recorded June 2006; DVD produced August 2007]
Musicology on Film: Vol. 1. Stream TV: Hull. Total running time c.140 mins.
Tsang, L. (executive producer, writer, presenter), ‘Webern’s Dead:
Music and Musicality in the Stage-Play’. Includes the premiere performance of
the unpublished ‘Four Orchestral Pieces, Opus 6' by Hull Sinfonietta.
(c. 70’)
Meech, A (translator, director), Tsang, L (executive producer, conductor),
‘Webern’s
Dead - Six Pictures for the Stage’ (world stage premiere). Includes a
performance of Webern’s Five Orchestral Pieces, Opus 10 and the
orchestral song ‘O sanftes Glühn der Berge’ by Hull Sinfonietta (with Margaret
McDonald, mezzo soprano). (c. 30’)
The project was funded by Arts Council of England (Yorkshire),
Kingston upon Hull City Council, PRS Foundation for
New Music, Stream TV and Hull University.
June 2005
'Exquisite ...' '... sensational musicians...' 'Excellent preparation and
delivery'
(Audience feedback)
The Sinfonietta performed in the
Middleton Hall, University of Hull (26 June), as part of the
Humber Mouth Festival 2005 . The
event featured Prokofiev's Overture on Hebrew Themes, Benno Sachs'
arrangement of Debussy's Prélude à l’après-midi d’un faune,
David
Matthews' arrangement of Prokofiev's Peter and the Wolf and
Alastair Borthwick's The Dong with a Luminous Nose (the sequel to
The Jumblies). We were joined by children from Chiltern Primary School,
Anna Myatt (star of Black Hair) and world-class soprano
Sarah Leonard. Sarah is perhaps most famous for being the voice of the RTS
award winning theme from the hit TV series Silent Witness (to hear a
clip of 'Silencium', click
here) and also Peter Greenaway's critically acclaimed film Prospero's
Books.
Our guest leader for this concert was award-winning contemporary music
specialist Mieko Kanno.
Funded by Humber Mouth Special
Commissions 2005, Geo. Houltons & Sons
Ltd, Hull University,
Arts Council England (Yorkshire),
Hull City City Arts.
November 2004
'... wonderful playing ...' '... superbly rich ...' '... exciting ...' '...
lush...' 'they played astoundingly well'
(Matthew Rhodes, David Clensy, Mail Publications)
The ensemble worked on a programme of about 75 minutes, and performed in a late
afternoon concert on Sunday 7 November 2004, at the Ferens Art Gallery, Hull.
The concert featured a performance of a new commission (Alastair Borthwick's
concert aria, featuring the award winning Australian soprano Allison Bell) and
Erwin Stein's extraordinary chamber ensemble arrangement of Mahler's Symphony
No.4. The choice of programme on this occasion was particularly significant as
it defined the intended scope of the ensemble: to provide a platform for
composers in the area to get works performed, and to present appealing,
rarely-performed works that are of significant historical interest.